
I enjoyed this class very much. What a fantastic program Photoshop is and I still can't believe how much more there is to learn about it.
Here is my Final Cover; for a magazine I created and titled "the printed picture"


I choose to create my collage on the most devastating man-made environmental disaster that occurred at sea; the Exxon Valdez Oil Spill. The terrible tragedy happened on March 24, 1989 and spilled nearly 11 million gallons of oil into the sea. As the story goes, the ship was allowed to veer off its course to avoid icebergs in the outbound lane. The Coast Guard had given permission to use the inbound lane, but failed to keep watch as it sailed out and inevitably hit the Bligh Reef. There were allegations made against the ship’s master that he had been drunk during the time of the accident, but later in trial he was cleared of this charge. Later he had even admitted to drinking vodka that evening. Not only had he admitted that he had been drinking the two men he left in charge of the wheel were not given the time off that is mandatory before working a 12 hours shift.
One other tip I ended up finding on the Internet was that while I created a nice mask off this eagle, there seems to be some whitish and darker edges around the tail and top of his wings. I read that you can select "Layer" then down at the bottom select "matting" then you have three choices, I used a combination of the two "Remove Black and White Matte" it worked great.
The wine cave and the glass of wine, which is reflecting the tasting room bell tower, was taken at Wente Vineyards in Livermore. The reflection in the glass is not a separate image. I choose to use a nice complimentary color scheme for this image. I really liked with way the blues looked with the warm yellows and oranges and thought it gave the cave a very interesting mood. I wanted to stay with the yellowish hue as it was the closest color to chardonnay I saw, which was the type of wine in the glass. This image has nine sources all together, not including the duplicate image of the grapes. At first look you might not notice, but if you look closely you will see six other images. For some unknown reason I was compelled to include very faint ghostly like images of some friends faces that I just recently took at a birthday party.
The only difference I noticed about using the colorizing method verses the duotone method is that the duotone comes out cleaner without having to do other adjustments. When I applied my colorization and even when I played with the gradient technique I ended up having to go into the levels to bring out a more distinct contract. The image came out perfect when I applied the duotone adjustment first try. What I am really starting to think about Photoshop is that they overloaded it with too many ways to basically get the same final result. It’s just a matter of trial and error and experimenting to learn which ones work fastest or best for what your final outcome will be.
